I was
watching Soul Boy
again on DVD yesterday, the film that my son
Simon
worked on a couple of years ago. Part of the reason for watching
again on DVD was because he also appears briefly working behind the
bar, and we wanted to see how much more was captured on the Extras.
Quite a lot of filming was cut out of the final edit.
Besides
making me want to be 16 again, and go dancing, it also made me think
once again that although, I think its great to have had a film made
with Northern Soul as the background, I still can't help feeling that
there is something not quite right about a Northern Soul film whose
story is based in Stoke, that is filmed in Stoke, that uses Stoke
Town Hall as the closest facsimile for Wigan Casino, and which,
whilst it mentions the Twisted Wheel, and focuses on Wigan Casino,
never mentions the Torch, which only appears briefly on a poster.
I can
understand the reason for that. It would not have fitted with the
storyline, which required the main characters to be travelling to
Wigan. But, as a writer I could have written around that. The film
is set in 1974, and the Torch had closed in 1973, after all. But, as
I've said before at the time, in Stoke – and most other places in
the North – Northern Soul was not some underground movement that
you could only experience by travelling to Wigan. From around 1969
onwards, go to any Youth Club, and College, any Workingmen's or
Labour Club, lots of local Town or Village Halls, and many pubs, and
you would have found any night of the week, a Motown and Northern
Disco! You could say it was Northern Soul Galore. It was
ubiquitous, and even the young people that didn't like it knew about
it. A friend of mine, I worked with at Stoke Council, and I went to
Day Release with, was into Rock Music, but it didn't stop him coming
to the Torch with me on a Friday night.
The only
sense you get of that ubiquitousness, and the reason why people like
my friend here came to the Torch, is when Martin Compston, and Alfie
Allen are playing “The Snake” on a tape in their Ice Cream Van,
and a couple of girls pull up beside them, and give them a toot. And
that was common. I used to take my cassette player with me, and at
dinner time, sit in Longton Cemetery in the Summer. Everyday, a load
of girls from the nearby textile works would come in, and sit round
listening, sometimes there would be a bit of dancing as well!
So, I think
there is plenty of room to cover all of these aspects of Northern
Soul, and its ubiquity at the time, as well as putting the role of
the Torch back in its rightful place. That, of course, doesn't take
away from any of the other venues at the time, like the Catacombs in
Wolverhampton, or the Dungeons in Nottingham, or Up The Junction in
Crewe. Its decided me to write a novel that captures it. When its
done, I'll serialise it here. Then if anyone is interested in taking
it up, for another film, I'd be happy to work on the screenplay. For
now, enjoy a bit of Jackie Wilson, and “Soul Galore”.
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